fa ﺑﺮرﺳﻲ ﺗﻜﻨﻴﻚ ﺧﺮاﻃﻲ و ﻻﻳﻪﭼﻴﻨﻲ ﺑﺎ ﻣﻄﺎﻟﻌﻪ آﺛﺎر ﺣﺴﻦ رﺣﻤﺎﻧﻲ <span style="font-size:16px;"><span style="line-height:12.4pt"><span style="direction:rtl"><span style="unicode-bidi:embed"><span new="" roman="" style="font-family:" times=""><span lang="AR-SA"><span b="" mitra="" style="font-family:"><span style="letter-spacing:-.1pt">اﺳﺘﻔﺎده</span></span></span> <span lang="AR-SA"><span b="" mitra="" style="font-family:">از ﭼﻮب ﺑﺮای ﺳﺎﺧﺖ آﺛﺎر ﻛﺎرﺑﺮدی و ﺗﺰﻳﻴﻨﻲ ﻫﺰاران ﺳﺎل اﺳﺖ ﻛﻪ ﻣﻮرد ﺗﻮﺟﻪ ﻫﻨﺮﻣﻨﺪان ﻗﺮار دارد</span></span><span dir="LTR"><span b="" mitra="" style="font-family:">.</span></span> <span lang="AR-SA"><span b="" mitra="" style="font-family:">در ﻣﻴﺎن ﻓﻨﻮن ﭘﺎﻳﻪای</span></span></span></span></span></span><span style="direction:rtl"><span style="unicode-bidi:embed"><span new="" roman="" style="font-family:" times=""><span lang="AR-SA"><span b="" mitra="" style="font-family:">ﻫﻨﺮﻫﺎی ﭼﻮﺑﻲ، ﺧﺮاﻃﻲ ﺟﺎﻳﮕﺎه وﻳﮋهای دارد و ﺑﻪواﺳﻄﺔ ﻧﻘﺶ ﺗﺎرﻳﺨﻲ ﺧﻮد در ﺷﻜﻞدﻫﻲ ﺑﻪ ﻣﺼﻨﻮﻋﺎت ﭼﻮﺑﻲ اﻫﻤﻴﺖ ﻳﺎﻓﺘﻪ اﺳﺖ</span></span><span dir="LTR"><span b="" mitra="" style="font-family:">.</span></span><span lang="AR-SA"><span b="" mitra="" style="font-family:"> ﺑﺎ ﺑﻪﻛﺎرﮔﻴﺮی ﺑﻪروزرﺳﺎﻧﻲﻫﺎی ﻓﻨﻲ ﺗﻮﺳﻂ ﻫﻨﺮﻣﻨﺪان ﻣﻌﺎﺻﺮ، اﻳﻦ ﺷﻴﻮه دﺳﺘﺨﻮش ﺗﺤﻮﻻت ﻗﺎﺑﻞﺗﻮﺟﻬﻲ ﺷﺪه و ﺑﻪ ﺣﻮزهای ﭘﻮﻳﺎ در ﻫﻨﺮ ﭼﻮب ﺗﺒﺪﻳﻞ ﺷﺪه اﺳﺖ</span></span><span dir="LTR"><span b="" mitra="" style="font-family:">.</span></span><span lang="AR-SA"><span b="" mitra="" style="font-family:"> ﺑﺮرﺳﻲ ﺧﺮاﻃﻲ و ﺗﻠﻔﻴﻖ آن ﺑﺎ دﻳﮕﺮ ﺗﻜﻨﻴﻚﻫﺎی ﭼﻮﺑﻲ، ﻛﻪ ﻫﺮ ﻳﻚ وﻳﮋﮔﻲﻫﺎی ﺳﺎﺧﺘﺎری و ﺑﺼﺮی ﺧﺎص ﺧﻮد را دارﻧﺪ، زﻣﻴﻨﻪای ارزﺷﻤﻨﺪ ﺑﺮای ﺗﻮﻟﻴﺪ آﺛﺎر ﻣﻌﺎﺻﺮ ﺑﺎ ﻫﻮﻳﺖ اﺻﻴﻞ اﻳﺮاﻧﻲ ﻓﺮاﻫﻢ ﻣﻲآورد</span></span><span dir="LTR"><span arial="" style="font-family:">.</span></span> <span lang="AR-SA"><span b="" mitra="" style="font-family:">اﻳﻦ ﭘﮋوﻫﺶ ﺑﺎ ﻫﺪف ﺑﺮرﺳﻲ ﻓﺮاﻳﻨﺪﻫﺎی ﺧﺎص ﺧﺮاﻃﻲ، ﺑﻪوﻳﮋه از ﻣﻨﻈﺮ ﺷﻴﻮهﻫﺎی ﺳﺎﺧﺖ و اﻳﺠﺎد ﻧﻘﻮش، اﻧﺠﺎم ﺷﺪه و ﺑﺎ ﻣﻄﺎﻟﻌﺔ ﻣﻮردی آﺛﺎر ﺣﺴﻦ رﺣﻤﺎﻧﻲ، ﺑﻪ ﺗﺤﻠﻴﻞ ﺗﺤﻮﻻت ﺧﺮاﻃﻲ و ﻻﻳﻪﭼﻴﻨﻲ ﻣﻲﭘﺮدازد</span></span><span dir="LTR"><span b="" mitra="" style="font-family:">.</span></span><span lang="AR-SA"><span b="" mitra="" style="font-family:"> در اﻳﻦ راﺳﺘﺎ، ﺷﺎﺧﺼﻪﻫﺎی اﺻﻠﻲ ﻻﻳﻪﭼﻴﻨﻲ در ﺧﺮاﻃﻲ و ﻧﻘﺶ آن در ﺧﻠﻖ آﺛﺎر ﺟﺪﻳﺪ ﭼﻮﺑﻲ ﺷﻨﺎﺳﺎﻳﻲ ﺷﺪه و ﻫﻤﭽﻨﻴﻦ ﭼﮕﻮﻧﮕﻲ ﻧﻮآوری در ﻫﻨﺮ ﭼﻮب از ﻃﺮﻳﻖ ﺗﺮﻛﻴﺐ ﻻﻳﻪﭼﻴﻨﻲ ﺑﺎ دﻳﮕﺮ ﺗﻜﻨﻴﻚﻫﺎ ﻣﻮرد ﻣﻄﺎﻟﻌﻪ ﻗﺮار ﮔﺮﻓﺘﻪ اﺳﺖ</span></span><span dir="LTR"><span arial="" style="font-family:">.</span></span> <span lang="AR-SA"><span b="" mitra="" style="font-family:">از ﻧﻈﺮ روشﺷﻨﺎﺧﺘﻲ، ﭘﮋوﻫﺶ ﺣﺎﺿﺮ از ﻧﻮع ﻛﺎرﺑﺮدی و ﺑﺎ روﻳﻜﺮد ﺗﻮﺻﻴﻔﻲـﺗﺤﻠﻴﻠﻲ اﻧﺠﺎم ﺷﺪه و اﻃﻼﻋﺎت آن از ﻃﺮﻳﻖ ﻣﻄﺎﻟﻌﺎت ﻛﺘﺎﺑﺨﺎﻧﻪای و ﺗﺤﻘﻴﻖ ﻣﻴﺪاﻧﻲ ﮔﺮدآوری ﺷﺪه اﺳﺖ</span></span><span dir="LTR"><span b="" mitra="" style="font-family:">.</span></span> <span lang="AR-SA"><span b="" mitra="" style="font-family:">ﻳﺎﻓﺘﻪﻫﺎ ﻧﺸﺎن ﻣﻲدﻫﺪ ﻛﻪ ﺷﻴﻮه ﻻﻳﻪﭼﻴﻨﻲ ﻧﺰد رﺣﻤﺎﻧﻲ واﺟﺪ ﻧﻮآوریﻫﺎی ﻣﻬﻤﻲ اﺳﺖ ﻛﻪ ﻃﻲ دو دﻫﺔ اﺧﻴﺮ در ﻣﻌﺎﺻﺮﺳﺎزی ﺳﺎﺧﺖ و ﺗﺰﻳﻴﻦ آﺛﺎر ﭼﻮﺑﻲ در اﻳﺮان ﺗﺄﺛﻴﺮﮔﺬار ﺑﻮده اﺳﺖ</span></span><span dir="LTR"><span b="" mitra="" style="font-family:">.</span></span><span lang="AR-SA"><span b="" mitra="" style="font-family:"> از ﻣﺆﻟﻔﻪﻫﺎی اﺻﻠﻲ اﻳﻦ روﻳﻜﺮد، اﺳﺘﻔﺎده از ﻣﺤﺘﻮای ﻣﻔﻬﻮﻣﻲ و ﻧﻘﻮش ﺳﻨﺘﻲ اﻳﺮاﻧﻲ اﺳﺖ ﻛﻪ ﻣﻮﺟﺐ ﮔﺴﺘﺮش اﻫﻤﻴﺖ ﻻﻳﻪﭼﻴﻨﻲ در ﻫﻨﺮ ﻣﻌﺎﺻﺮ ﺷﺪه اﺳﺖ</span></span><span dir="LTR"><span b="" mitra="" style="font-family:">.</span></span><span lang="AR-SA"><span b="" mitra="" style="font-family:"> اﻓﺰون ﺑﺮ اﻳﻦ، ﺗﺮﻛﻴﺐ ﻻﻳﻪﭼﻴﻨﻲ ﺑﺎ دﻳﮕﺮ ﻓﻨﻮن ﭼﻮﺑﻲ در آﺛﺎر وی زﻣﻴﻨﻪﺳﺎز ﺧﻠﻖ ﮔﻮﻧﻪﻫﺎی ﺟﺪﻳﺪی از ﻫﻨﺮ ﭼﻮب ﺷﺪه اﺳﺖ</span></span><span dir="LTR"><span b="" mitra="" style="font-family:">.</span></span></span></span></span></span> <span style="font-size:8.5pt"><span style="line-height:107%"><span new="" roman="" style="font-family:" times=""><b>Abstract: </b>The use of wood for functional and decorative objects has engaged human craftsmanship for millennia. Among core woodworking practices, <i>woodturning </i>holds particular importance due to its long historical role in shaping wooden artifacts. Continuous technical refinements by contemporary artisans have transformed this practice into a dynamic field within modern wood art. Studying woodturning and integrating it with complementary wooden techniques, each with distinct structural and visual qualities, offers meaningful potential for creating contemporary works enriched with elements of authentic Iranian identity. This study examines the specific processes of woodturning, with emphasis on construction methods and the formation of ornamental motifs. Using the works of Hassan Rahmani as a case study, it investigates the evolution of woodturning and lamination techniques, identifies the essential characteristics of lamination within woodturning, and analyzes its role in generating new wooden artworks. The research also explores how combining lamination with other woodworking techniques can foster innovation in contemporary wood art. Methodologically, the study is applied in purpose and descriptive-analytical in approach, with data gathered through fieldwork and library research. The findings show that Rahmani&rsquo;s lamination technique embodies significant innovations that have contributed to the modernization of wooden construction and decorative methods in Iran over the past two decades. Central to his approach is the use of thematic content and traditional Iranian motifs, which has strengthened the contemporary relevance of lamination. Moreover, Rahmani&rsquo;s integration of lamination with other wooden techniques has enabled the development of new artistic forms within the field of wood art.</span></span></span><br> &nbsp; خراطی چوب,لایه‌چینی چوب,نقوش سنتی,هنرهای چوبی. woodturning,wood layering,traditional motifs,wooden arts. 1 16 http://tna.richt.ir/browse.php?a_code=A-10-3892-1&slc_lang=fa&sid=14 mostafa rezapour مصطفی رضاپور mostafa.rezapoor1371@gmail.com Yes Tabriz Islamic Art University Faculty of Industrial Arts Tabriz Iran دانشگاه هنر اسلامی تبریز - دانشکده هنرهای صناعی اسلامی ایران تبریز Abolfazl Abdullahi Fard2 ابوالفضل عبداللهی فرد A.aabdollahie@tabrizia.ac.ir No Associate Professor, Faculty of Visual Arts, Tabriz Islamic Art University, Tabriz, Iran دانشیار، دانشکده هنرهای تجسمی، دانشگاه هنر اسلامی تبریز، تبریز، ایران arezoo khanpour آرزو خانپور A.khanpour@tabriziau.ac.ir No Tabriz University of Islamic Art دانشگاه هنر اسلامی تبریز