<?xml version="1.0" encoding="utf-8"?>
<journal>
<title>Miras-e Iran Zamin</title>
<title_fa>میراث ایران زمین</title_fa>
<short_title>Miras-e Iran Zamin</short_title>
<subject>Art &amp; Architecture</subject>
<web_url>http://tna.richt.ir</web_url>
<journal_hbi_system_id>1</journal_hbi_system_id>
<journal_hbi_system_user>admin</journal_hbi_system_user>
<journal_id_issn>1024-1647</journal_id_issn>
<journal_id_issn_online>1024-1647</journal_id_issn_online>
<journal_id_pii></journal_id_pii>
<journal_id_doi>10.22034/Tna</journal_id_doi>
<journal_id_iranmedex></journal_id_iranmedex>
<journal_id_magiran></journal_id_magiran>
<journal_id_sid></journal_id_sid>
<journal_id_nlai></journal_id_nlai>
<journal_id_science></journal_id_science>
<language>fa</language>
<pubdate>
	<type>jalali</type>
	<year>1405</year>
	<month>3</month>
	<day>1</day>
</pubdate>
<pubdate>
	<type>gregorian</type>
	<year>2026</year>
	<month>6</month>
	<day>1</day>
</pubdate>
<volume>1</volume>
<number>1</number>
<publish_type>online</publish_type>
<publish_edition>1</publish_edition>
<article_type>fulltext</article_type>
<articleset>
	<article>


	<language>fa</language>
	<article_id_doi></article_id_doi>
	<title_fa>مطالعه ای بر ساختار و نقش پردازی های قالیهای دستبافت لچک-ترنج یزد  (نمونه موردی: موزه فرش ایران)</title_fa>
	<title>A Study on the Structure and Patterns of Hand-woven Rugs Medallion Design-Corner of Yazd (Case Study: the Carpet Museum of Iran)</title>
	<subject_fa></subject_fa>
	<subject></subject>
	<content_type_fa></content_type_fa>
	<content_type></content_type>
	<abstract_fa>&lt;span style=&quot;font-size:14px;&quot;&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;direction:rtl&quot;&gt;&lt;span style=&quot;unicode-bidi:embed&quot;&gt;&lt;span style=&quot;font-family:&amp;quot;Times New Roman&amp;quot;,serif&quot;&gt;&lt;span lang=&quot;AR-SA&quot;&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;font-family:&amp;quot;B Mitra&amp;quot;&quot;&gt;ﻳﺰد از ﻣﻬﻢﺗﺮﻳﻦ ﻣﺮاﻛﺰ ﻗﺎﻟﻲﺑﺎﻓﻲ اﻳﺮان در ﻧﻮاﺣﻲ ﻣﺮﻛﺰی ﻛﺸﻮر اﺳﺖ و ﺷﺮاﻳﻂ اﻗﻠﻴﻤﻲ و ﺟﻐﺮاﻓﻴﺎﻳﻲ ﻛﻮﻳﺮی آن، ﻣﺮدم را از دﻳﺮﺑﺎز ﺑﻪ ﻫﻨﺮﻫﺎی ﺳﻨﺘﻲ، ﺑﻪوﻳﮋه ﻗﺎﻟﻲﺑﺎﻓﻲ، ﺳﻮق داده اﺳﺖ&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;font-family:&amp;quot;B Mitra&amp;quot;&quot;&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang=&quot;AR-SA&quot;&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;font-family:&amp;quot;B Mitra&amp;quot;&quot;&gt; از اﻳﻦرو، ﺑﺨﺶ ﻗﺎﺑﻞ ﺗﻮﺟﻬﻲ از ﺑﺎورﻫﺎی ﻣﺬﻫﺒﻲ، رﺧﺪادﻫﺎی ﺗﺎرﻳﺨﻲ، اﻟﮕﻮﻫﺎی ﻣﻌﻤﺎری، ﻃﺒﻴﻌﺖ ﭘﻴﺮاﻣﻮن و آدابورﺳﻮم ﻣﺮدم ﻳﺰد در ﻗﺎﻟﻲﻫﺎی دﺳﺖﺑﺎﻓﺖ آﻧﺎن ﺑﺎزﺗﺎب ﻳﺎﻓﺘﻪ اﺳﺖ&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;font-family:&amp;quot;B Mitra&amp;quot;&quot;&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang=&quot;AR-SA&quot;&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;font-family:&amp;quot;B Mitra&amp;quot;&quot;&gt; ﻫﻤﻴﻦ اﻣﺮ ﺳﺒﺐ ﺷﺪه ﻗﺎﻟﻲﻫﺎی ﻳﺰد از ﻃﺮحﻫﺎ و ﻧﻘﻮﺷﻲ ﻣﺘﻤﺎﻳﺰ و ﻫﻮﻳﺖﻣﻨﺪ ﺑﺮﺧﻮردار ﺑﺎﺷﻨﺪ و زﻣﻴﻨﻪای ﻣﻨﺎﺳﺐ ﺑﺮای ﭘﮋوﻫﺶﻫﺎی ﺗﺨﺼﺼﻲ ﻓﺮاﻫﻢ ﻛﻨﻨﺪ&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;font-family:&amp;quot;Arial&amp;quot;,sans-serif&quot;&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;span lang=&quot;AR-SA&quot;&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;font-family:&amp;quot;B Mitra&amp;quot;&quot;&gt;اﻳﻦ ﭘﮋوﻫﺶ ﺑﺎ روﻳﻜﺮد ﺗﻮﺻﻴﻔﻲ&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;font-family:&amp;quot;B Mitra&amp;quot;&quot;&gt;-&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang=&quot;AR-SA&quot;&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;font-family:&amp;quot;B Mitra&amp;quot;&quot;&gt;ﺗﺤﻠﻴﻠﻲ و ﺑﺮ ﭘﺎﻳﻪ ﻣﻄﺎﻟﻌﺎت ﻛﺘﺎﺑﺨﺎﻧﻪای و ﻣﻴﺪاﻧﻲ، ﺑﻪ ﺑﺮرﺳﻲ ﺳﺎﺧﺘﺎر و ﻧﻘﺶﭘﺮدازیﻫﺎی اﺻﻴﻞ ﻃﺮح &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;font-family:&amp;quot;B Mitra&amp;quot;&quot;&gt;&amp;raquo;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang=&quot;AR-SA&quot;&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;font-family:&amp;quot;B Mitra&amp;quot;&quot;&gt;ﻟﭽﻚ&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;font-family:&amp;quot;B Mitra&amp;quot;&quot;&gt;-&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang=&quot;AR-SA&quot;&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;font-family:&amp;quot;B Mitra&amp;quot;&quot;&gt;ﺗﺮﻧﺞ&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;font-family:&amp;quot;B Mitra&amp;quot;&quot;&gt;&amp;laquo;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang=&quot;AR-SA&quot;&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;font-family:&amp;quot;B Mitra&amp;quot;&quot;&gt; در ﻗﺎﻟﻲﻫﺎی دﺳﺖﺑﺎﻓﺖ ﻳﺰد ﻣﻲﭘﺮدازد&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;font-family:&amp;quot;B Mitra&amp;quot;&quot;&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang=&quot;AR-SA&quot;&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;font-family:&amp;quot;B Mitra&amp;quot;&quot;&gt; ﻧﻤﻮﻧﻪﻫﺎی ﻣﻄﺎﻟﻌﻪ ﺷﺎﻣﻞ ﺳﻪ ﺗﺨﺘﻪ ﻗﺎﻟﻲ ﺑﻴﺶ از ﺻﺪﺳﺎﻟﻪ ﻣﻮﺟﻮد در ﻣﻮزه ﻓﺮش اﻳﺮان اﺳﺖ&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;font-family:&amp;quot;B Mitra&amp;quot;&quot;&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;span lang=&quot;AR-SA&quot;&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;font-family:&amp;quot;B Mitra&amp;quot;&quot;&gt;ﭘﺮﺳﺶ اﺻﻠﻲ ﺗﺤﻘﻴﻖ اﻳﻦ اﺳﺖ ﻛﻪ وﻳﮋﮔﻲﻫﺎی ﺳﺎﺧﺘﺎری و ﻧﻘﻮش راﻳﺞ و اﺻﻴﻞ اﻳﻦ ﻗﺎﻟﻲﻫﺎ ﭼﻴﺴﺖ و اﻗﻠﻴﻢ، ﻋﻮاﻣﻞ زﻳﺴﺖﻣﺤﻴﻄﻲ و ﻓﺮﻫﻨﮕﻲ ﭼﻪ ﺗﺄﺛﻴﺮی ﺑﺮ آنﻫﺎ داﺷﺘﻪاﻧﺪ&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;font-family:&amp;quot;Arial&amp;quot;,sans-serif&quot;&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang=&quot;AR-SA&quot;&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;font-family:&amp;quot;B Mitra&amp;quot;&quot;&gt; ﻳﺎﻓﺘﻪﻫﺎ ﻧﺸﺎن ﻣﻲدﻫﺪ اﻧﺘﺨﺎب ﻃﺮح ﻟﭽﻚ&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;font-family:&amp;quot;B Mitra&amp;quot;&quot;&gt;-&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang=&quot;AR-SA&quot;&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;font-family:&amp;quot;B Mitra&amp;quot;&quot;&gt;ﺗﺮﻧﺞ، ﺷﻴﻮه ﻧﻘﺶﭘﺮدازی و رﻧﮓآﻣﻴﺰی اﻳﻦ ﻗﺎﻟﻲﻫﺎ ﺑﺎ اﻗﻠﻴﻢ ﮔﺮم، ﺧﺸﻚ و ﻛﻮﻳﺮی ﻳﺰد ﭘﻴﻮﻧﺪ ﻣﺴﺘﻘﻴﻢ دارد&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;font-family:&amp;quot;B Mitra&amp;quot;&quot;&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span lang=&quot;AR-SA&quot;&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;font-family:&amp;quot;B Mitra&amp;quot;&quot;&gt; ﻫﻤﭽﻨﻴﻦ، ﻋﻮاﻣﻠﻲ ﭼﻮن ﺷﺪت ﻧﻮر ﺧﻮرﺷﻴﺪ، ﻛﻤﺒﻮد ﺑﺎرش، ﭘﻮﺷﺶ ﮔﻴﺎﻫﻲ ﻣﺤﺪود، ﺗﺄﺛﻴﺮ ﻣﺮاﻛﺰ ﻗﺎﻟﻲﺑﺎﻓﻲ ﻫﻢﺟﻮار و ﺑﺎورﻫﺎی ﺑﻮﻣﻲ و ﻣﺬﻫﺒﻲ، در ﺷﻜﻞﮔﻴﺮی ﻧﻘﺶﻣﺎﻳﻪﻫﺎی ﮔﻴﺎﻫﻲ، ﺟﺎﻧﻮری و ﻛﻴﻬﺎﻧﻲ اﻳﻦ ﻗﺎﻟﻲﻫﺎ ﻧﻘﺶ ﻣﺆﺛﺮی داﺷﺘﻪاﻧﺪ&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span dir=&quot;LTR&quot;&gt;&lt;span style=&quot;line-height:100%&quot;&gt;&lt;span style=&quot;font-family:&amp;quot;B Mitra&amp;quot;&quot;&gt;.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;br&gt;
&amp;nbsp;</abstract_fa>
	<abstract>&lt;span style=&quot;font-size:12.0pt&quot;&gt;&lt;span style=&quot;line-height:107%&quot;&gt;&lt;span new=&quot;&quot; roman=&quot;&quot; style=&quot;font-family:&quot; times=&quot;&quot;&gt;Yazd is one of the most important rug weaving centers in the central regions of Iran.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;span style=&quot;font-size:12.0pt&quot;&gt;&lt;span style=&quot;line-height:107%&quot;&gt;&lt;span new=&quot;&quot; roman=&quot;&quot; style=&quot;font-family:&quot; times=&quot;&quot;&gt;Due to the geographical characteristics of the desert regions, the residents of Yazd quickly turned to traditional handicrafts - especially rug weaving; So, Some of the religious, historical, architectural, natural, and cultural beliefs of the people of Yazd are reflected in their hand-woven rugs.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;span style=&quot;font-size:12.0pt&quot;&gt;&lt;span style=&quot;line-height:107%&quot;&gt;&lt;span new=&quot;&quot; roman=&quot;&quot; style=&quot;font-family:&quot; times=&quot;&quot;&gt;Hence, Yazd&amp;#39;s hand-woven rugs have identifiable designs and patterns that can provide a good opportunity for rug researchers to study them.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;span style=&quot;font-size:12.0pt&quot;&gt;&lt;span style=&quot;line-height:107%&quot;&gt;&lt;span new=&quot;&quot; roman=&quot;&quot; style=&quot;font-family:&quot; times=&quot;&quot;&gt;Accordingly, the main aim of this research is to evaluate the structure and describe the original patterns of Yazd hand-woven rugs in the well-known &lt;i&gt;Medallion design-corner&lt;/i&gt; design. &lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;line-height:150%&quot;&gt;&lt;span style=&quot;font-size:12.0pt&quot;&gt;&lt;span style=&quot;line-height:150%&quot;&gt;&lt;span new=&quot;&quot; roman=&quot;&quot; style=&quot;font-family:&quot; times=&quot;&quot;&gt;This research is descriptive-analytical and is based on library and field studies.&amp;nbsp;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;&lt;span style=&quot;font-size:12.0pt&quot;&gt;&lt;span style=&quot;line-height:107%&quot;&gt;&lt;span new=&quot;&quot; roman=&quot;&quot; style=&quot;font-family:&quot; times=&quot;&quot;&gt;The samples are three hand-woven Medallion design-corner rugs preserved in the Iranian Carpet Museum, which are more than 100 years old.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;span style=&quot;font-size:12.0pt&quot;&gt;&lt;span style=&quot;line-height:107%&quot;&gt;&lt;span new=&quot;&quot; roman=&quot;&quot; style=&quot;font-family:&quot; times=&quot;&quot;&gt;The main question is what are the structural features, original motifs of the Medallion design-corner rugs?&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;span style=&quot;font-size:12.0pt&quot;&gt;&lt;span style=&quot;line-height:107%&quot;&gt;&lt;span new=&quot;&quot; roman=&quot;&quot; style=&quot;font-family:&quot; times=&quot;&quot;&gt;Also, what effect do geographical climate, environmental and cultural factors have on the aforementioned patterns?&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;span style=&quot;font-size:12.0pt&quot;&gt;&lt;span style=&quot;line-height:107%&quot;&gt;&lt;span new=&quot;&quot; roman=&quot;&quot; style=&quot;font-family:&quot; times=&quot;&quot;&gt;The results show that the Medallion design-corner design, the patterns, and even the color shades of the hand-woven rugs are related to the hot, dry, and desert geographical climate of Yazd.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt; &lt;span style=&quot;font-size:12.0pt&quot;&gt;&lt;span style=&quot;line-height:107%&quot;&gt;&lt;span new=&quot;&quot; roman=&quot;&quot; style=&quot;font-family:&quot; times=&quot;&quot;&gt;In addition, environmental factors (&lt;i&gt;such as&lt;/i&gt; sunlight, low rainfall, vegetation &amp;hellip;) and indigenous and religious beliefs - Zoroastrianism before Islam and then Islamism - have influenced the design structure and plant, animal, and cosmic motifs identified in Yazd hand-woven rugs.&lt;/span&gt;&lt;/span&gt;&lt;/span&gt;</abstract>
	<keyword_fa>قالی دست‌بافت ایرانی,استان یزد,موزه فرش ایران,طرح لچک - ترنج</keyword_fa>
	<keyword>Iranian Hand-woven  Carpet,Yazd Province,Iran Carpet Museum, Lachak-Toranj design</keyword>
	<start_page>85</start_page>
	<end_page>96</end_page>
	<web_url>http://tna.richt.ir/browse.php?a_code=A-10-3926-4&amp;slc_lang=fa&amp;sid=14</web_url>


<author_list>
	<author>
	<first_name>Samera</first_name>
	<middle_name></middle_name>
	<last_name>Salimpour Abkenar</last_name>
	<suffix></suffix>
	<first_name_fa>سامرا</first_name_fa>
	<middle_name_fa></middle_name_fa>
	<last_name_fa>سلیم پور آبکنار</last_name_fa>
	<suffix_fa></suffix_fa>
	<email>s.salimpour@richt.ir</email>
	<code></code>
	<orcid></orcid>
	<coreauthor>Yes
</coreauthor>
	<affiliation>Traditional Arts Research Group, Research Institute of Cultural, Heritage, and Tourism</affiliation>
	<affiliation_fa>گروه پژوهشی هنرهای سنتی- پژوهشگاه میراث فرهنگی و گردشگری</affiliation_fa>
	 </author>


</author_list>


	</article>
</articleset>
</journal>
